Homoerotic Archaeology: Advocate Men (November 1985), Part Two

Friday, November 28, 2025

Advocate Men (November 1985), Part Two

Little is known about photographer Robert Miller. Born in 1954, he worked as a fashion designer for a while before turning to photography during the 1980s. Blending nudity and surrealistic imagery, Miller’s works achieve a dream-like tone that was not widely liked, resulting in him abruptly ending his photography career. This November 1985 issues of Advocate Men (which has been broken into two parts), features the images displayed at Miller’s exhibition with the Harm Bouckaert Gallery in New York City, with the author remarking in an interview for the publication: “A friend told me my images are getting weirder.” Included in this second half (see the first half here) is a showcase of Etienne’s artwork, a cartoon by Donelan, the short stories “Help Me Out” (where two coworkers on a business trip share more than a bed) and “Sex a la Carte” (about two roommates who decide to eat in), and photos of models Steven Hunter and João Souza.

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What is Homoerotic Archaeology?

In 2016, I discovered several discarded boxes at an estate sale. Under their flimsy flaps were hundreds of well-worn issues of homoerotic magazines from the 1970s, 1980s, and 1990s. I purchased them out of mild intrigue and, as I perused their pages, I was startled to realize that something commonly disregarded as pornographic smut earnestly chronicled the evolution of gay culture: the social and sexual liberation of the 1970s, the crushing devastation from AIDS during the 1980s, and the gradual strengthening of the community in the 1990s. As a gay man, I was touched by the subtle narrative these publications told. As a historian, I was motivated to digitally preserve their content. And, as an educator, I was driven to create a platform to share that information freely with others interested in the progression of gay society. Homoerotic Archaeology is that venue. Here you will find the advertisements, articles, short stories, and (of course) pictures found in these magazines lovingly preserved and presented for future generations of gay men to enjoy and study.

Why Preserve Homoerotica?

As early as the 1970s, scholars such as June Rook have stressed the need to preserve homosexual history in an effort to combat repression and establish a cultural background for future generations. Much of the preservation process admirably focuses on the substantial works of homosexual artists and thinkers; however, it sadly ignores other elements quintessential to the community’s history, particularly homoerotica. Although frequently labeled obscene filth, homoerotica has, just like the significant creations of artists and thinkers, been a prevalent part of the group’s culture and has played an integral role in shaping identities and perceptions (consider how influential Tom of Finland’s hypermasculinity has been in molding the body ideals of modern gay men). Due to this factor, the conservation of homoerotica is just as essential as the preservation of major artistic and theoretical homosexual works.