Homoerotic Archaeology

Friday, November 6, 2020

Drummer (November 1982)

Whereas heterosexual society can freely develop its social-sexual network in the world at large, homosexual society, due to public disdain and persecution, must seek alternative venues in which to foster these connections. As a result, gay and lesbian bars, which provide individuals with a safe and secluded haven, have evolved into the primary social outlet for the homosexual community. In this November 1982 issue of Drummer, John Embry’s article discusses the realities of owning and operating one of these establishments, truthfully explaining how the trials and tribulations of running a successful business are often overlooked by patrons who only see the tantalizing glimmer of its nightly parties. Also included in this edition is coverage of Huston’s Mr. Leather competition, a Drum comic about a failed porn shoot, and an advertisement for the Stud Store.

Friday, October 30, 2020

Inches (October 1988), Part Three

A protégé of Bob Mizer, David Hurles began the one-man enterprise Old Reliable Tape and Picture Company in the 1970s. Operating from a private mailbox and producing audio tapes, photographs, and videos, Old Reliable distinguished itself due to its subject matter. Whereas Hurles’ mentor and peers focused on professional athletes and bodybuilders, Hurles specialized in drifters, ex-convicts, and hustlers, which gave his work a rougher tone and became highly popular in alternative homoerotic publications like Drummer (who first published Hurles’ pictures in its January 1979 issue). This October 1988 issue of Inches (which has been broken into three parts) features three of Hurles’ models. In the final third (see the second third here), Hurles’ Sam is accompanied by MAC Production’s Rick Moreno, Joe Tiffenbach’s Little Willie, and an article on displaying and preserving vintage movie posters.

Friday, October 23, 2020

Inches (October 1988), Part Two

A protégé of Bob Mizer, David Hurles began the one-man enterprise Old Reliable Tape and Picture Company in the 1970s. Operating from a private mailbox and producing audio tapes, photographs, and videos, Old Reliable distinguished itself due to its subject matter. Whereas Hurles’ mentor and peers focused on professional athletes and bodybuilders, Hurles specialized in drifters, ex-convicts, and hustlers, which gave his work a rougher tone and became highly popular in alternative homoerotic publications like Drummer (who first published Hurles’ pictures in its January 1979 issue). This October 1988 issue of Inches (which has been broken into three parts) features three of Hurles’ models. In the second third (see the first third here), Hurles’ Dirk is accompanied by Tony Steven’s Gabriel, J. Brian’s Joe-Bob, and a showcase of photographer Miles’ work.

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What is Homoerotic Archaeology?

In 2016, I discovered several discarded boxes at an estate sale. Under their flimsy flaps were hundreds of well-worn issues of homoerotic magazines from the 1970s, 1980s, and 1990s. I purchased them out of mild intrigue and, as I perused their pages, I was startled to realize that something commonly disregarded as pornographic smut earnestly chronicled the evolution of gay culture: the social and sexual liberation of the 1970s, the crushing devastation from AIDS during the 1980s, and the gradual strengthening of the community in the 1990s. As a gay man, I was touched by the subtle narrative these publications told. As a historian, I was motivated to digitally preserve their content. And, as an educator, I was driven to create a platform to share that information freely with others interested in the progression of gay society. Homoerotic Archaeology is that venue. Here you will find the advertisements, articles, short stories, and (of course) pictures found in these magazines lovingly preserved and presented for future generations of gay men to enjoy and study.

Why Preserve Homoerotica?

As early as the 1970s, scholars such as June Rook have stressed the need to preserve homosexual history in an effort to combat repression and establish a cultural background for future generations. Much of the preservation process admirably focuses on the substantial works of homosexual artists and thinkers; however, it sadly ignores other elements quintessential to the community’s history, particularly homoerotica. Although frequently labeled obscene filth, homoerotica has, just like the significant creations of artists and thinkers, been a prevalent part of the group’s culture and has played an integral role in shaping identities and perceptions (consider how influential Tom of Finland’s hypermasculinity has been in molding the body ideals of modern gay men). Due to this factor, the conservation of homoerotica is just as essential as the preservation of major artistic and theoretical homosexual works.