In a 1996 article,
“Maybe We Should Keep the ‘Porn’ in Pornography,” erotic author Perry Brass argues good pornographic writing, like good literature in general,
should present realistic encounters with average individuals who live
common lives weighed down with human desires and fears. It is this type
of realism – showing unattractive characters struggling with financial
concerns and fears of loneliness – which Brass contends makes good
pornography truly intimate. Tim Barrus’ short story “Anywhere,”
contained in this June 1985 issue of Advocate Men (which has been broken
into two parts), exemplifies Brass’ claims, telling the story of a
couple who struggle with one partner’s physical impairment after
returning from the Vietnam War. Contained in the second half (see the first half here) is the photography of Paul Irish, spreads of models Luis Perdes and Joe Stevens, an excerpt from Anne Rice’s novel Beauty’s Release (penned
under the pseudonym A.N. Roquelaure), and the short story “Class of ‘75” (where a high-school
reunion culminates into passion between two former classmates).
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