Homoerotic Archaeology: April 2019

Friday, April 26, 2019

Foreskin Quarterly (April 1999)

Emerging in the late 1980s and running until the early 2000s, Foreskin Quarterly joined the small collection of publications, Uncut among them, which catered to the growing marketplace for homoerotica featuring uncircumcised men. This edition features Falcon Studio's Sebastian Gronoff, who appeared in three of the production company's videos (Betrayed, Hard to Hold, and No Way Out), Kristen Bjorn model Jean Le Beau, and RVJ Studio's Errol.

Friday, April 19, 2019

Numbers (April 1980), Part Two

Beginning in late 1977, Numbers quickly joined the ranks of the era's major homoerotic publications, including Honcho, Mandate, and Playguy. During its twenty-seven-year life, the magazine showcased the photographic work of heavyweights such as Roy Dean and Bob Mizer and famous models like Al Parker and Steve Hammond. This particular issue focuses on a cowboy motif, with the second half (see the first half here) featuring the short story "Maverick Roundup" (about a rancher who is saved from a gang rape by a fellow cowboy he has long admired) and several photo shoots - one with numerous models from Colt Studio.

Friday, April 12, 2019

Numbers (April 1980), Part One

Beginning in late 1977, Numbers quickly joined the ranks of the era's major homoerotic publications, including Honcho, Mandate, and Playguy. During its twenty-seven-year life, the magazine showcased the photographic work of heavyweights such as Roy Dean and Bob Mizer and famous models like Al Parker and Steve Hammond. This particular issue focuses on a cowboy motif, with the first half featuring a western-themed cartoon, the short story "Tail Blazers" (about a foursome between three ranchers and a banker surveying their property), two photo shoots titled "Bareback" and "Rough Rider," a glimpse into the artwork of Tom Taran, and advertisements for Blueboy and Colt.

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What is Homoerotic Archaeology?

In 2016, I discovered several discarded boxes at an estate sale. Under their flimsy flaps were hundreds of well-worn issues of homoerotic magazines from the 1970s, 1980s, and 1990s. I purchased them out of mild intrigue and, as I perused their pages, I was startled to realize that something commonly disregarded as pornographic smut earnestly chronicled the evolution of gay culture: the social and sexual liberation of the 1970s, the crushing devastation from AIDS during the 1980s, and the gradual strengthening of the community in the 1990s. As a gay man, I was touched by the subtle narrative these publications told. As a historian, I was motivated to digitally preserve their content. And, as an educator, I was driven to create a platform to share that information freely with others interested in the progression of gay society. Homoerotic Archaeology is that venue. Here you will find the advertisements, articles, short stories, and (of course) pictures found in these magazines lovingly preserved and presented for future generations of gay men to enjoy and study.

Why Preserve Homoerotica?

As early as the 1970s, scholars such as June Rook have stressed the need to preserve homosexual history in an effort to combat repression and establish a cultural background for future generations. Much of the preservation process admirably focuses on the substantial works of homosexual artists and thinkers; however, it sadly ignores other elements quintessential to the community’s history, particularly homoerotica. Although frequently labeled obscene filth, homoerotica has, just like the significant creations of artists and thinkers, been a prevalent part of the group’s culture and has played an integral role in shaping identities and perceptions (consider how influential Tom of Finland’s hypermasculinity has been in molding the body ideals of modern gay men). Due to this factor, the conservation of homoerotica is just as essential as the preservation of major artistic and theoretical homosexual works.