Homoerotic Archaeology: February 2021

Friday, February 26, 2021

Blueboy (February 1983), Part Two

Literature serves as the dominant theme in this February 1983 issue of Blueboy (which has been broken into two parts). Within the text, two articles explore the lives and works of two homosexual authors. The first, written by Charles Harmon Cagle and presented in the first half, examines Hart Crane’s fascination with the sea and sailors and pairs nicely with William Russo’s literary study contained in the May/June 1979 issue of In Touch. The second, which is presented here in the second half, is an interview with novelist Armistead Maupin about his beloved Tales of the City series. Also included in the second half are spreads of models Hank, Jay, and Peter.

Friday, February 19, 2021

Blueboy (February 1983), Part One

Literature serves as the dominant theme in this February 1983 issue of Blueboy (which has been broken into two parts). Within the text, two articles explore the lives and works of two homosexual authors. The first, written by Charles Harmon Cagle and presented in this first half, examines Hart Crane’s fascination with the sea and sailors and pairs nicely with William Russo’s literary study contained in the May/June 1979 issue of In Touch. The second, which will be presented in the second half, is an interview with novelist Armistead Maupin about his beloved Tales of the City series. Also included in this first half are spreads of models Ken Hopkins and Tom.

Friday, February 12, 2021

Honcho (February 1986), Part Two

From Lon of New York to David Hurles, the photographing of the male physique has been a driving force in twentieth-century homoeroticism and the sexual activities between a photographer and his subject have been both a reality and fantasy within this practice, with Hurles openly admitting to physical intimacy with several of his models. Robert Ralph’s short story “Heavyweight,” contained in the February 1986 issue of Honcho (which has been broken into two parts), is just one manifestation of this as the author weaves a fictional tale about one such occurrence. Included in the second half (see the first half here) are the short stories “Closer than a Brother” (about a twin’s mistaken identity revealing erotic secrets about his bother), “Foot Long” (about the sexual frustration between an employee and his boss), and “Forest Service” (about the narrator’s sensual encounter with a forest ranger) and the photo spreads titled “Handlebar, ” “Hot Fox,” and “Make Me Do It.”

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What is Homoerotic Archaeology?

In 2016, I discovered several discarded boxes at an estate sale. Under their flimsy flaps were hundreds of well-worn issues of homoerotic magazines from the 1970s, 1980s, and 1990s. I purchased them out of mild intrigue and, as I perused their pages, I was startled to realize that something commonly disregarded as pornographic smut earnestly chronicled the evolution of gay culture: the social and sexual liberation of the 1970s, the crushing devastation from AIDS during the 1980s, and the gradual strengthening of the community in the 1990s. As a gay man, I was touched by the subtle narrative these publications told. As a historian, I was motivated to digitally preserve their content. And, as an educator, I was driven to create a platform to share that information freely with others interested in the progression of gay society. Homoerotic Archaeology is that venue. Here you will find the advertisements, articles, short stories, and (of course) pictures found in these magazines lovingly preserved and presented for future generations of gay men to enjoy and study.

Why Preserve Homoerotica?

As early as the 1970s, scholars such as June Rook have stressed the need to preserve homosexual history in an effort to combat repression and establish a cultural background for future generations. Much of the preservation process admirably focuses on the substantial works of homosexual artists and thinkers; however, it sadly ignores other elements quintessential to the community’s history, particularly homoerotica. Although frequently labeled obscene filth, homoerotica has, just like the significant creations of artists and thinkers, been a prevalent part of the group’s culture and has played an integral role in shaping identities and perceptions (consider how influential Tom of Finland’s hypermasculinity has been in molding the body ideals of modern gay men). Due to this factor, the conservation of homoerotica is just as essential as the preservation of major artistic and theoretical homosexual works.