Homoerotic Archaeology: April 2021

Friday, April 30, 2021

Inches (April 1988), Part Three

Although David Ashfield and T.J. Denver only performed in one film each for Falcon, both models appeared in well over a dozen movies for other companies, with Ashfield acting in thirteen for LeSalon and Denver in ten for Catalina. In this April 1988 issue of Inches (which has been broken into three parts), Ashfield and Denver are represented by Falcon, with whom they each filmed one movie that same year (Ashfield in Spring Break and Denver in Out of Bounds). The final third (see the second third here), contains spreads of models Tommy Crawford, Jon Eden, and Stone Paul.

Friday, April 23, 2021

Inches (April 1988), Part Two

Although David Ashfield and T.J. Denver only performed in one film each for Falcon, both models appeared in well over a dozen movies for other companies, with Ashfield acting in thirteen for LeSalon and Denver in ten for Catalina. In this April 1988 issue of Inches (which has been broken into three parts), Ashfield and Denver are represented by Falcon, with whom they each filmed one movie that same year (Ashfield in Spring Break and Denver in Out of Bounds). In the second third (see the first third here), spreads of Denver are accompanied by photos of models Vladimir Correa, J.P., and Matt and advertisements for Old Reliable.

Friday, April 16, 2021

Inches (April 1988), Part One

Although David Ashfield and T.J. Denver only performed in one film each for Falcon, both models appeared in well over a dozen movies for other companies, with Ashfield acting in thirteen for LeSalon and Denver in ten for Catalina. In this April 1988 issue of Inches (which has been broken into three parts), Ashfield and Denver are represented by Falcon, with whom they each filmed one movie that same year (Ashfield in Spring Break and Denver in Out of Bounds). In the first third, spreads of Ashfield are accompanied by photos of models Rod Garetto, Phillip Stevens, and Stoner and an advertisement for LeSalon’s Mail Order Club.

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What is Homoerotic Archaeology?

In 2016, I discovered several discarded boxes at an estate sale. Under their flimsy flaps were hundreds of well-worn issues of homoerotic magazines from the 1970s, 1980s, and 1990s. I purchased them out of mild intrigue and, as I perused their pages, I was startled to realize that something commonly disregarded as pornographic smut earnestly chronicled the evolution of gay culture: the social and sexual liberation of the 1970s, the crushing devastation from AIDS during the 1980s, and the gradual strengthening of the community in the 1990s. As a gay man, I was touched by the subtle narrative these publications told. As a historian, I was motivated to digitally preserve their content. And, as an educator, I was driven to create a platform to share that information freely with others interested in the progression of gay society. Homoerotic Archaeology is that venue. Here you will find the advertisements, articles, short stories, and (of course) pictures found in these magazines lovingly preserved and presented for future generations of gay men to enjoy and study.

Why Preserve Homoerotica?

As early as the 1970s, scholars such as June Rook have stressed the need to preserve homosexual history in an effort to combat repression and establish a cultural background for future generations. Much of the preservation process admirably focuses on the substantial works of homosexual artists and thinkers; however, it sadly ignores other elements quintessential to the community’s history, particularly homoerotica. Although frequently labeled obscene filth, homoerotica has, just like the significant creations of artists and thinkers, been a prevalent part of the group’s culture and has played an integral role in shaping identities and perceptions (consider how influential Tom of Finland’s hypermasculinity has been in molding the body ideals of modern gay men). Due to this factor, the conservation of homoerotica is just as essential as the preservation of major artistic and theoretical homosexual works.