Homoerotic Archaeology: July 2020

Friday, July 31, 2020

All Man (July 1987), Part Two

Running from 1987 to 2004, All Man joined the ranks of other homoerotic publications when many of its peers were shifting away from cultural matter and focusing mainly on photo spreads. All Man, in tun, was one of the few who maintained this additional material and the publication’s premiere issue, which has been broken into two parts, showcases this factor. In the second half (see the first half here), an interview with comic book illustrator Howard Cruse is accompanied by a display of Oscar’s artwork, an article about actor Joe Dallesandro’s work with Any Warhol, and spreads titled “Muscle Man,” “Rugged in Red,” and “What’s Smaller than a Bread Box, Bigger than a Hot Dog Bun.”

Friday, July 24, 2020

All Man (July 1987), Part One

Running from 1987 to 2004, All Man joined the ranks of other homoerotic publications when many of its peers were shifting away from cultural matter and focusing mainly on photo spreads. All Man, in tun, was one of the few who maintained this additional material and the publication’s premiere issue, which has been broken into two parts, showcases this factor. In the first half, interviews with adult performers Rick Donovan and Frank Vickers are accompanied by a spread titled “Concrete Jungle” and the magazine’s cover featuring Jeff Stryker.

Friday, July 17, 2020

Torso (July 1992), Part Three

Working for major studios like Colt and Falcon, Brad Phillips starred in seventeen adult films between 1984 and 1992. In addition to his career in pornography, Phillips also made brief appearances in three 1988 episodes of Star Trek: The Next Generation (spots he garnered after working as a model for the fitting of the show’s costumes) and the 1993 documentary Sex Is…, during which he laments that his experiences in the realm of homoeroticism often resulted in loneliness. This July issue of Torso, which has been broken into three parts, showcases Phillips at the end of his pornographic career. In the final third (see the second third here), the short story “The Long Wait” (about the narrator’s threesome while his partner is out of town on a business trip) is accompanied by spreads of models Kris Lord and Joey Stefano.

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What is Homoerotic Archaeology?

In 2016, I discovered several discarded boxes at an estate sale. Under their flimsy flaps were hundreds of well-worn issues of homoerotic magazines from the 1970s, 1980s, and 1990s. I purchased them out of mild intrigue and, as I perused their pages, I was startled to realize that something commonly disregarded as pornographic smut earnestly chronicled the evolution of gay culture: the social and sexual liberation of the 1970s, the crushing devastation from AIDS during the 1980s, and the gradual strengthening of the community in the 1990s. As a gay man, I was touched by the subtle narrative these publications told. As a historian, I was motivated to digitally preserve their content. And, as an educator, I was driven to create a platform to share that information freely with others interested in the progression of gay society. Homoerotic Archaeology is that venue. Here you will find the advertisements, articles, short stories, and (of course) pictures found in these magazines lovingly preserved and presented for future generations of gay men to enjoy and study.

Why Preserve Homoerotica?

As early as the 1970s, scholars such as June Rook have stressed the need to preserve homosexual history in an effort to combat repression and establish a cultural background for future generations. Much of the preservation process admirably focuses on the substantial works of homosexual artists and thinkers; however, it sadly ignores other elements quintessential to the community’s history, particularly homoerotica. Although frequently labeled obscene filth, homoerotica has, just like the significant creations of artists and thinkers, been a prevalent part of the group’s culture and has played an integral role in shaping identities and perceptions (consider how influential Tom of Finland’s hypermasculinity has been in molding the body ideals of modern gay men). Due to this factor, the conservation of homoerotica is just as essential as the preservation of major artistic and theoretical homosexual works.