Homoerotic Archaeology: September 2022

Friday, September 30, 2022

Adam Gay Video (September 1999), Part Two

In his interview with Adam Gay Video, contained in the September 1999 issue (which has been broken into two parts), adult performer Zach Richards discusses his experiences coming out to the band he was a part of prior to his entrance into gay porn. As Richards explains, the members had a meeting about his behavior, which prompted him to reveal his sexual orientation. In the second half (see the first half here), a profile of performer Haus Weston is accompanied by reviews of the films Ass Lick Alley, The Caller, Dare Devils, Killer Looks, and Thick as Thieves.

Friday, September 23, 2022

Adam Gay Video (September 1999), Part One

In his interview with Adam Gay Video, contained in the September 1999 issue (which has been broken into two parts), adult performer Zach Richards discusses his experiences coming out to the band he was a part of prior to his entrance into gay porn. As Richards explains, the members had a meeting about his behavior, which prompted him to reveal his sexual orientation. Accompanying Richard’s interview in the first half are reviews of the films Australian for Leather, Measure for Measure, Night Riders, and Out of Bounds.

Friday, September 16, 2022

Advocate Classifieds (September 1993)

Appearing in three pornographic films and eight magazines, Swedish model Dirk Angeles experienced a fairly short existence in the world of homoeroticism between 1992 and 1994. NOTE: THIS PARTICULAR ISSUE OF ADVOCATE CLASSIFIEDS WAS FOUND INCOMPLETE AMONG THE BOXES OF MAGAZINES; HENCE, ITS SPARSE PRESENTATION.

Friday, September 9, 2022

Latino Fan Club (September 1999), Part Two

Founded by Brian Brennan, a former art director for Blueboy, Latino Fan Club began as a small newsletter in 1985 with sixty subscribers and, by 1992, had produced over seventy hardcore films and increased its membership to more than four-thousand individuals. Focusing predominately on African and Latino men with a wide range of sexual orientations, the production company shied away from the formulaic style of major studios like Colt and Falcon. Presented here is the second issue of their magazine, which marked the company’s transition from smaller newsletters into larger publications. Contained in the second half (see the first half here) are spreads of models Domingo, Kris K.O., and Paco.

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What is Homoerotic Archaeology?

In 2016, I discovered several discarded boxes at an estate sale. Under their flimsy flaps were hundreds of well-worn issues of homoerotic magazines from the 1970s, 1980s, and 1990s. I purchased them out of mild intrigue and, as I perused their pages, I was startled to realize that something commonly disregarded as pornographic smut earnestly chronicled the evolution of gay culture: the social and sexual liberation of the 1970s, the crushing devastation from AIDS during the 1980s, and the gradual strengthening of the community in the 1990s. As a gay man, I was touched by the subtle narrative these publications told. As a historian, I was motivated to digitally preserve their content. And, as an educator, I was driven to create a platform to share that information freely with others interested in the progression of gay society. Homoerotic Archaeology is that venue. Here you will find the advertisements, articles, short stories, and (of course) pictures found in these magazines lovingly preserved and presented for future generations of gay men to enjoy and study.

Why Preserve Homoerotica?

As early as the 1970s, scholars such as June Rook have stressed the need to preserve homosexual history in an effort to combat repression and establish a cultural background for future generations. Much of the preservation process admirably focuses on the substantial works of homosexual artists and thinkers; however, it sadly ignores other elements quintessential to the community’s history, particularly homoerotica. Although frequently labeled obscene filth, homoerotica has, just like the significant creations of artists and thinkers, been a prevalent part of the group’s culture and has played an integral role in shaping identities and perceptions (consider how influential Tom of Finland’s hypermasculinity has been in molding the body ideals of modern gay men). Due to this factor, the conservation of homoerotica is just as essential as the preservation of major artistic and theoretical homosexual works.